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Cecilia Humphrey is a Creative Communication specialist with a background in design (Master of Design, COFA UNSW) and art history & theory (Bachelor of Arts Advanced, University of Sydney).

SUBTTLD (Subtitled) is a project with the mission to help us live examined lives. By encouraging engagement in art analysis, we promote critical thinking, adding art to our arsenal to help us face the post-truth era.

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Subttld by CLVH
 

SUBTTLD is a Creative Communication Studio that specialises in creatively interpreting complex concepts and events into creative, predominantly visual language, with the mission to democratise information with typically exclusive or specialised audiences, translating facts into universally relatable, human stories.

Created by CLVH, Cecilia Humphrey.

For brand, design and creative sports projects, visit Not Our Field and The Competitor

Copyright 2022 CLVH 
 
 
(2 Min Watching Time) Part iii Post 5/5 Napoleon’s Fake News: In a sadly un-Socratic ending to the story, David became the vital cog in the Napoleonic propaganda machine. This cautionary tale reminds us that living examined lives is hard work. (3 Min Watching Time) Part iii Post 4/5 Our Votes: PSA: The interests of the loudest voices rarely align with our own. We take a look at how art can help us navigate the media that informs our beliefs and in turn make us better citizens. PS. I pr (3 Min Watching Time) Part iii Post 3.5/5 Our Wine: After looking at Socrates’ analogy of the ship and the state, we take a look at “the wine” that is being fed to us through disinformation campaigns created and propagated by estab (2.5 Min Watching Time) Part iii Post 3.0/5 The Wine: Socrates warned us that successful democracies are reliant on informed people. Here we take a look at how active disinformation campaigns undermine democracy and the way Russia’s disinforma
(2 Mins Watching Time) Part iii Post 1/5 In Plato’s ‘The Republic’, Socrates drew an analogy that expressed his reservations about democracy. In this final series of stories, we take a look at the real-time relevance of David’ The Socratic Method. Exploration of a theme brought up in The Death of Socrates in the previous post. Photo courtesy of an unknown flight I took in 2008. Jacques-Louis David, “The Death of Socrates” (1787) Kicking it off. Step 1: LOOK AT IT. The first step of any visual analysis is basically a game of I/Eye (which one?) spy. We’re going to go nuts here and still not pick up all of “The unexamined life is not worth living.” - Socrates As the story goes, after going to trial for annoying too many people, Socrates chose death over living an unexamined life. Today, we’ve been trained to look a lot, but not too d Read the SUBTTLD Manifesto at subttld.com